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Contents: Poems and Verse Plays; Plays and Libretti; Hofmannsthal's Debt to the English-speaking WorldOriginally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

LITERARY CRITICISM / European / German. --- Hofmannsthal, Hugo von,

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Döblin, Alfred --- Döblin, Alfred, --- Criticism and interpretation. --- LITERARY CRITICISM / European / German. --- Deblin, A., --- Poot, Linke, --- Doeblin, Alfred, --- דבלין, אלפרד, --- דעבלין, אלפרעד --- Döblin, Alfred

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Die Arbeit analysiert Patrick Süskinds Gesamtwerk im Rahmen der postmodernen Wiederkehr des Erzählens. Im Mittelpunkt stehen Fragen von Produktion und Rezeption, Zeitlichkeit und Intermedialität sowie von Räumlichkeit und Figurengestaltung. Leitende Perspektive ist die erzählerische Reduktion von Komplexität durch die sinnlich (aisthetisch) eingeschränkte Weltwahrnehmung - Hören, Riechen, Sehen - der Figuren.

Süskind, Patrick. --- Rossini ‹Film›. --- Süskind, Patrick: Das Parfum. --- Süskind, Patrick: Der Kontrabass. --- Wahrnehmung ‹Motiv›. --- Wahrnehmung --- LITERARY CRITICISM / European / German. --- Motiv --- Süskind, Patrick

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Erstmals wird mit diesem Band eine wissenschaftlich fundierte Übersicht über das Gesamtwerk Johann Rists geboten, wobei zahlreiche neue Erkenntnisse zu Tage treten. Die Beiträge erkunden das Schaffen eines der führenden Literaten des deutschen Sprachraums der Frühen Neuzeit. Hierbei finden die geistliche und weltliche Dichtung genauso Beachtung wie die Dramatik, die Naturkunde, die Kasuallyrik, musik- und gesangbuchhistorische Aspekte, die Relevanz des Niederdeutschen, die politischen Diskurse bis hin zur druckgraphischen Ausstattung von Rists Publikationen. Besonderes Augenmerk gilt der Einbettung Rists in die gelehrten literarischen Netzwerke (Martin Opitz, Simon Dach, Andreas Tscherning, Sigmund von Birken u.a.) sowie der Wirkung von Rists Dichtung in Gesangbüchern, auf der Bühne und in der Neolatinität. Auf diese Weise werden wichtige Einsichten gewonnen, die dazu beitragen, das Profil eines in der Vielfalt seiner Interessen einzigartigen poeta doctus präziser zu bestimmen.

17. Jahrhundert. --- 17th century. --- Barockzeit. --- Baroque period. --- Frömmigkeitsgeschichte. --- Intermedialität. --- faith history. --- intermediality. --- LITERARY CRITICISM / European / German. --- Rist, Johann, --- Rist, Johannes, --- Rist, John, --- Criticism and interpretation.

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"In Ethics and the Dynamic Observer Narrator: Reckoning with Past and Present in German Literature, Katra A. Byram proposes a new category-the dynamic observer form-to describe a narrative situation that emerges when stories about others become an avenue to negotiate a narrator's own identity across past and present. Focusing on German-language fiction from the nineteenth and twentieth centuries, Byram demonstrates how the dynamic observer form highlights historical tensions and explores the nexus of history, identity, narrative, and ethics in the modern moment. Ethics and the Dynamic Observer Narrator contributes to scholarship on both narrative theory and the historical and cultural context of German and Austrian literary studies. Narrative theory, according to Byram, should understand this form to register complex interactions between history and narrative form. Byram also juxtaposes new readings of works by Textor, Storm, and Raabe from the nineteenth century with analyses of twentieth-century works by Grass, Handke, and Sebald, ultimately reframing our understanding of literary Vergangenheitsbewa;ltigung, or the struggle to come to terms with the past. Overall, Byram shows that neither the problem of reckoning with the past nor the dynamic observer form is unique to Germany's post-WWII era. Both are products of the dynamics of modern identity, surfacing whenever critical change separates what was from what is. "--

LITERARY CRITICISM / European / German. --- Literature and history --- Narration (Rhetoric) --- German fiction --- History and criticism --- Theory, etc. --- German literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and literature --- History and poetry --- Poetry and history --- History